Dromos Ussak

Scale Notes:                   1101010110101
Passing Notes:            1111011111111
Minor Pentatone:        1001010010101
Minor Pentatonic:       1001010100101


Is considered a Minor Scale.
Is often mixed with Minor & Kiurdi. Passing notes are #2nd, #4th, #6th, and #7th.
– E Ussak = A Minor = C Major =  D Dorian ~ E Minor ~ E Ussak Neva
– D Ussak ~ A Ussak ~ G Ussak
– D Ussak ~ D Hijaz ~ G Harmonic Minor ~ C Roumaniko
– D Ussak ~ D Hijazkiar ~ G Nihavent ~ D Pireotikos
– D Ussak ~ Bb Rast ~ Bb Huzam ~ Bb Segiah ~ Bb Tabanahiotiko

 

 

Triads:

m

M

M

m

Dim

M

m

Sevenths:

m7th
(no 3rd)

M7th
(no 3rd)

m7th
(no 3rd)

m7th
(no 3rd)

7th b5th
(no 3rd)

M7th
(no 3rd)

m7th
(no 3rd)

m7th
(no 5th)

M7th
(no 5th)

7th
(no 5th)

m7th
(no 5th)

m7th
(no 5th)

M7th
(no 5th)

m7th
(no 5th)

7th Sus4th
(no 5th)

M7th b5th
(no 3rd)

7th Sus4th
(no 5th)

7th Sus4th
(no 5th)

7th Sus4th
(no 5th)

M7th Sus4th
(no 5th)

7th Sus4th
(no 5th)

Ninths:

7th Sus2nd
(no 5th)

M9th
(no 3rd and 5th)

7th Sus2nd
(no 5th)

7th Sus2nd
(no 5th)

7th Susb2nd
(no 5th)

M9th
(no 3rd and 5th)

7th Sus2nd
(no 5th)

Fourths:

Sus4th

Sus#4th

Sus4th

Sus4th

Sus4th b5th

Sus4th

Sus4th

mAdd4th
(no 5th)

Mb5th

Add4th
(no 5th)

mAdd4th
(no 5th)

mAdd4th
(no 5th)

Add4th
(no 5th)

mAdd4th
(no 5th)

Seconds:

Susb2nd

Sus2nd

Sus2nd

Sus2nd

Susb2nd b5th

Sus2nd

Sus2nd

m9th b2nd
(no 5th and b7th)

Add2nd
(no 5th)

Add2nd
(no 5th)

m9th
(no 5th and b7th)

m9th b2nd
(no 5th and b7th)

Add2nd
(no 5th)

m9th
(no 5th and b7th)

Sixths:

b6th
(no 3rd)

6th
(no 3rd)

6th
(no 3rd)

b6th
(no 3rd)

b6th b5th
(no 3rd)

6th
(no 3rd)

 6th
(no 3rd)

mb6th
(no 5th)

6th
(no 5th)

6th
(no 5th)

mb6th
(no 5th)

mb6th
(no 5th)

6th
(no 5th)

Dim7th
(no 5th)


>Root Note

C

C#

Eb

F

G

Ab

Bb

C#

D

E

F#

Ab

A

B

D

Eb

F

G

A

Bb

C

Eb

E

F#

Ab

Bb

B

C#

E

F

G

A

B

C

D

F

F#

Ab

Bb

C

C#

Eb

F#

G

A

B

C#

D

E

G

Ab

Bb

C

D

Eb

F

Ab

A

B

C#

Eb

E

F#

A

Bb

C

D

E

F

G

Bb  

B

C#

Eb

F

F#  

Ab

B

C

D

E

F#

G

A

 

 

 

 

 

 

 

 

 




Dromos Ussak

Scale Notes:                   1101010110101
Passing Notes:            1111011111111
Minor Pentatone:        1001010010101
Minor Pentatonic:       1001010100101
Blues:                          1001011100101


Is considered a Minor Scale.
Is often mixed with Minor & Kiurdi.
Passing Notes: #2nd, #4th, #6th, and #7th.
Drop the 2nd and 5h notes to form the Minor Pentatone Scale
Drop the 2nd and 6th notes to form the Minor Pentatonic, then add a #4th to form the Blues Scale
Ussak Neva version 1: Ascending Ussak, Descending Natural Minor (give it a #2nd)

Ussak Neva version 2: Ussak with a #6th note, a.k.a. Javanese Scale. 1101010101101

Is mode of Minor, Major, and Dorian Scales

– E Ussak = A Minor = C Major =  D Dorian ~ E Minor
– D Ussak =  G Minor = Bb Major =  C Dorian ~ D Minor
– If you start 3 scale degrees forward you get the Minor scale
– If you give it a #2nd you get Minor in the same key as the original Ussak
– If you start 2 scale degrees back you get the Major scale
– If you start 1 scale degree back you get the Dorian scale

Is Similar to Hijaz, Roumaniko, and Harmonic Minor
– D Ussak ~ D Hijaz ~ G Harmonic Minor ~ C Roumaniko
If you give it a #3rd you get Hijaz
If you give it a #3rd and start 1 scale degree back you get Roumaniko

If you give it a #3rd and start 4 scale degrees forward you get Harmonic Minor

To Modulate to Hijazkiar, Nihavent, and Pireotikos
– D Ussak ~ D Hijazkiar ~ G Nihavent ~ D Pireotikos
If you give it a #3rd and #7th you get Hijazkiar
If you give it a #3rd and #7th and start 4 scale degrees forward you get Niavent
If you give it a #3rd, #4th, and #7th you get Pireotikos


To Modulate to Rast, Huzam, Seghiah, Tabanahiotiko. Note: Definitions of Rast, Huzam and Tabanahiotiko vary amongst players.
– D Ussak ~ Bb Rast ~ Bb Huzam ~ Bb Segiah ~ Bb Tabanahiotiko
– Give it a b5th and start 2 scale degrees back to become Rast descending, and make more use of passing notes, like
b3rd, #4th,  and b8th  (relative to root note of Rast).
– Give it a #7th note and start 2 scale degrees back to modulate to Huzam, and then you can use b2nd, #4th, #5th, and #6th
(?) passing notes (relative to root note of Huzam).
– Give it a #7th and b4th note and start 2 scale degrees back to modulate to Seghiah, and then use passing notes (relative to root note of Seghiah) #4th, and b2nd (above the ovtave)
– Give it a b4th note and start 2 scale degrees back to modulate to Tabanahiotiko

To modulate to another root note within the same scale:
– D Ussak ~ A Ussak ~ G Ussak
– Give it a #2nd and start 3 scale degrees back to get Ussak with different root note but similar character
– Give it a b5th start 3 scale degrees forward to get Ussak with different root note but similar character

 

Modulation Suggestions:

F Ussak ð F Hijaz
A Ussak ð A Kiurdi
G Minor ð D Ussak
D Hijaz ð Bb Major ð D Ussak
E Ussak ð C Rast ð C Huzam
A Ussak ð A Kiurdi ð A hijaz ð
G Huzam/Rast
ð D Hijaz


Modulation Possibilities:

D Ussak ð A Ussak ð G Ussak
E Ussak
ð E Minor ð E Ussak Neva

E Ussak ð A Minor ð C Major ð  D Dorian
D Ussak ð D Hijaz ð G Harmonic Minor ð C Roumaniko
D Ussak
ð D Hijazkiar ð G Nihavent ð D Pireotikos
D Ussak
ð Bb Rast ð Bb Huzam