Major Scale

Scale Notes:                   1010110101011
Major Pentatonic:       1010100101001


Is considered a Major Scale.
Also known as Ionian and Matzore.
Drop the 4th and 7th notes to form the Major Pentatonic scale.

– Bb Major =  G Minor = C Dorian = D Ussak ~ G Ussak
– Bb Major ~ F Major ~ Eb Major
– Bb Major ~ Bb Rast ~ Bb Huzam ~ Bb Segiah ~ Bb Tabanahiotiko

– Bb Major ~ C Roumaniko ~ D Hijaz ~ G Harmonic Minor
– Bb Major ~ D Hijazkiar ~ G Nihavent ~ D Pireotikos

 

 

Triads:

M

m

m

M

M

m

Dim

Sevenths:

M7th
(no 3rd)

m7th
(no 3rd)

m7th
(no 3rd)

M7th
(no 3rd)

m7th
(no 3rd)

m7th
(no 3rd)

7th b5th
(no 3rd)

M7th
(no 5th)

m7th
(no 5th)

m7th
(no 5th)

M7th
(no 5th)

7th
(no 5th)

m7th
(no 5th)

m7th
(no 5th)

M7th Sus4th
(no 5th)

7th Sus4th
(no 5th)

7th Sus4th
(no 5th)

M7th b5th
(no 3rd)

7th Sus4th
(no 5th)

7th Sus4th
(no 5th)

7th Sus4th
(no 5th)

Ninths:

M9th
(no 3rd and 5th)

7th Sus2nd
(no 5th)

7th Sus2nd
(no 5th)

M9th
(no 3rd and 5th)

7th Sus2nd
(no 5th)

7th Sus2nd
(no 5th)

7th Susb2nd
(no 5th)

Fourths:

Sus4th

Sus4th

Sus4th

Sus#4th

Sus4th

Sus4th

Sus4th b5th

Add4th
(no 5th)

mAdd4th
(no 5th)

mAdd4th
(no 5th)

Mb5th

Add4th
(no 5th)

mAdd4th
(no 5th)

mAdd4th
(no 5th)

Seconds:

Sus2nd

Sus2nd

Susb2nd

Sus2nd

Sus2nd

Sus2nd

Susb2nd b5th

Add2nd
(no 5th)

m9th
(no 5th and b7th)

m9th b2nd
(no 5th and b7th)

Add2nd
(no 5th)

Add2nd
(no 5th)

m9th
(no 5th and b7th)

m9th b2nd
(no 5th and b7th)

Sixths:

6th
(no 3rd)

 6th
(no 3rd)

b6th
(no 3rd)

6th
(no 3rd)

6th
(no 3rd)

b6th
(no 3rd)

b6th b5th
(no 3rd)

6th
(no 5th)

Dim7th
(no 5th)

mb6th
(no 5th)

6th
(no 5th)

6th
(no 5th)

mb6th
(no 5th)

mb6th
(no 5th)


>Root Note

C

D

E

F

G

A

B

C#

Eb

F

F#

Ab

Bb

C

D

E

F#

G

A

B

C#

Eb

F

G

Ab

Bb

C

D

E

F#

Ab

A

B

C#

Eb

F

G

A

Bb

C

D

E

F#  

Ab

Bb  

B

C#

Eb

F

G

A

B

C

D

E

F#

Ab

Bb

C

C#

Eb

F

G

A

B

C#

D

E

F#

Ab

Bb

C

D

Eb

F

G

A

B

C#

Eb

E

F#

Ab

Bb

 

 

 

 

 

 

 

 


 




Major Scale

Scale Notes:                   1010110101011
Major Pentatonic:       1010100101001


Is considered a Major Scale. Also known as Ionian and Matzore.
Drop the 4th and 7th notes to form the Major Pentatonic scale.

Is a mode of Minor, Ussak, and Dorian
– C Major =  A Minor = D Dorian = E Ussak
– Bb Major =  G Minor = C Dorian = D Ussak ~ G Ussak
– If you start 2 scale degrees back you get Minor
– If you start 2 scale degrees forward you get Ussak
– If you give it a b7th and start 2 scale degrees back you get Ussak
– If you start 1 scale degree forward you get Dorian

Is similar to Rast, Huzam, Seghiah, Tabanahiotiko. Note: Definitions of Rast, Huzam and Tabanahiotiko vary amongst players.
– Bb Major ~ Bb Rast ~ Bb Huzam ~ Bb Segiah ~ Bb Tabanahiotiko
– Give it a b7th to become Rast descending, and make more use of passing notes, like
b3rd, #4th,  and b8th
– Give it a #2nd note to modulate to Huzam, and then you can use b2nd, #4th, #5th, and #6th
(?) passing notes
– Give it a #2nd and b6th note to modulate to Seghiah, and then use passing notes #4th, and b2nd (above the ovtave)
– Give it a b6th note to modulate to Tabanahiotiko

Is Similar to Hijaz, Roumaniko, and Harmonic Minor
– Bb Major ~ C Roumaniko ~ D Hijaz ~ G Harmonic Minor
If you give it a #5th and start 1 scale degree forward you get Roumaniko

If you give it a #5th and start 2 scale degrees forward you get Hijaz
If you give it a #5th and start 2 scale degrees back you get Harmonic Minor

To Modulate to Hijazkiar, Nihavent, and Pireotikos
– Bb Major ~ D Hijazkiar ~ G Nihavent ~ D Pireotikos
If you give it a #2nd and #5th and start 2 scale degrees forward you get Hijazkiar
If you give it a #2nd and #5th and start 2 scale degrees back you get Niavent
If you give it a #2nd, #5th, and #6th and start 2 scale degrees forward you get Pireotikos


To modulate to another root note within the same scale:
– Bb Major ~ F Major ~ Eb Major
– Give it a #4th and start 3 scale degrees back to get Major with different root note but similar character
– Give it a b7th start 3 scale degrees forward to get Major with different root note but similar character


 

Modulation Suggestions:

C# Major ð F Hijaz
A Hijaz ð G Huzam/Rast ð D Hijaz
D Hijaz ð Bb Major ð D Ussak
C Major ð C Rast ð C Huzam
C Rast ð C Seghiah



Modulation Possibilities:

Bb Major ð F Major ð Eb Major
C Major ð  A Minor ð E Ussak ð D Dorian

C Major ð C Rast ð C Huzam ð C Segiah
Bb Major
ð C Roumaniko ð D Hijaz ð G Harmonic Minor
Bb Major
ð D Hijazkiar ð G Nihavent ð D Pireotikos


Descriptions of each mode of the Major Scale:


1. Ionian - Very clean sounding, almost to the point of sounding sterile. Your Grandma would love this one.
2. Dorian - Can sound smooth and soulful or hip and bluesy, depending on how you use it.
3. Phrygian - Has a very Middle-Eastern or Spanish sound.
4. Lydian - Very clean, like Ionian, but the #4 gives it a more spacey, unresolved quality.
5. Mixolydian - "Funky" or "folksy", depending on how it's used. Has been used for everything; old sea chanteys, to '70s rock.
6. Aeolian - Dark and sad like those old cowboy songs, or tough and mean as used in a lot of heavy-rock songs.
7. Locrian - The real ear-twister of the bunch. Can sound Spanish like Phrygian, but much darker and more unresolved.


 

Major Scale Makam - 101011

Makam:

Pattern