Dromos Hijazkiar	Scale Notes: 1100110110011 Passing Notes: 1100111111111
Is considered a Major Scale. – D Hijazkiar = G Nihavent – D Hijazkiar ~ B Sabah ~ D Pireotikos – D Hijazkiar ~ D Ussak ~ Bb Major ~ G Minor ~ C Dorian

Triads:

M

M

m

m

Mb5^th

Aug

sus2^ndb5^th

Sevenths:

M7^th(no 3^rd)

M7^th(no 3^rd)

6^th(no 3^rd)

M7^th(no 3^rd)

7th b5^th(no 3^rd)

M7^th #5^th (no 3^rd)

6^thb5^th(no 3^rd)

M7^th (no 5^th)

M7^th (no 5^th)

Dim7^th (no 5^th)

m/M7^th(no 5^th)

7^th(no 5^th)

M7^th (no 5^th)

Dim7^thSus2^nd(no 5^th)

M7^thSus4^th(no 5^th)

M7^thb5^th(no 3^rd)

6^th (no 5^th)

M7^thb5^th (no 3^rd)

7^thSus4^th (no 5^th)

M7^thSus4^th (no 5^th)

Sus4^th 6^th (no 5^th)

Ninths:

M7^thb9^th(no 3^rd and 5^th)

m/M7^th(no 5^th)

Dim7^thSusb2^nd(no 5^th)

M9^th(no 3^rd and 5^th)

7^thSusb2^nd(no 5^th)

m/M7^th(no 5^th)

Dim7^thSusb2^nd(no 5^th)

Fourths:

Sus4^th

Sus#4^th

M

Sus#4^th

Susb2^nd

Sus4^th#5^th

Sus4^thb5^th

Add4^th(no 5^th)

Mb5^th

mAddb4^th(no 5^th)

Dim

Add4^th(no 5^th)

mAdd4^th(no 5^th)

mAdd4^th(no 5^th)

Seconds:

Sus2^nd

Susb2^nd

Susb2^nd

Sus2^nd

Susb2^ndb5^th

mb6^th(no 5^th)

Susb2^ndb5^th

Addb2^nd(no 5^th)

mAddb4^th(no 5^th)

m9^thb2^nd(no 5^th and b7^th)

m9^thb2^nd(no 5^th and b7^th)

Addb2^nd(no 5^th)

mAddb4^th(no 5^th)

b9^thAdd2^nd(no 3^rd, 5^th and 7^th)

Sixths:

b6^th(no 3^rd)

m7^th(no 3^rd)

b6^th(no 3^rd)

b6^th(no 3^rd)

Dim7^th(no 3^rd)

6^th#5^th(no 3^rd)

b6^thb5^th(no 3^rd)

Aug

6^th(no 5^th)

mb6^th(no 5^th)

mb6^th(no 5^th)

6^th(no 5^th)

6^th b5^th(no 3^rd)

Sus2^nd#5^th

>Root Note

C

C#

E

F

G

Ab

B

C#

D

F

F#

Ab

A

C

D

Eb

F#

G

A

Bb

C#

Eb

E

G

Ab

Bb

B

D

E

F

Ab

A

B

C

Eb

F

F#

A

Bb

C

C#

E

F#

G

Bb

B

C#

D

F

G

Ab

B

C

D

Eb

F#

Ab

A

C

Db

Eb

E

G

A

Bb

C#

D

E

F

Ab

Bb

B

D

Eb

F

F#

A

B

C

Eb

E

F#

G

Bb

Dromos Hijazkiar

Scale Notes: 1100110110011 Passing Notes: 1100111111111

Is a mode of Niavent and is considered a Major Scale; Also called Byzantine, Double Harmonic, Hijaz Kar (C), Shadd Araban (G), Shahnaz (Shehnaz) (D), Suzidil (A). – D Hijazkiar = G Niavent – If you start 3 scale degrees forward you get Niavent Is Similar to Pireotikos and is contained within a version of Sabah – D Hijazkiar ~ D Pireotikos ~ B Sabah – If you give it a #4^th you get Pireotikos – If you give it a #6^th below the octave and start 3 semitones back you get a version of Sabah. Is similar to Hijaz, Roumaniko, & Harmonic Minor – D Hijazkiar ~ D Hijaz ~ C Roumaniko ~ G Harmonic Minor – If you give it a b7^th you get Hijaz – If you give it a b7^th and start 1 scale degree back you get Roumaniko – If you give it a b7^th and start 3 scale degrees forward you get Harmonic Minor To Modulate to Ussak, Major, Minor, Dorian Scales – D Hijazkiar ~ D Ussak ~ Bb Major ~ G Minor ~ C Dorian – If you give it a b7^th and a b3^rd you get Ussak – If you give it a b7^th and a b3^rd and then start 2 scale degrees back you get a Major scale – If you give it a b7^th and a b3^rd and then start 1 scale degree back you get a Dorian scale – If you give it a b7^th and a b3^rd and then start 3 scale degrees forward you get a Minor scale

Modulation Possibilities; D Hijazkiar ð G Niavent D Hijazkiar ð B Sabah D Hijazkiar ð D Pireotikos
D Hijazkiar ð D Ussak ð Bb Major ð G Minor ð C Dorian D Hijazkiar ð D Hijaz ð C Roumaniko ð G Harmonic Minor D Hijaz ð D Hijazkiar ð G Nihavent ð D Pireotikos

Chord Scale Info:

Triads: Root + 3^rd + 5^th
Sevenths: Root + 7^th + 5^th and Root + 7^th + 3^rd and Root + 7^th + 4^th
Ninths: Root + 2^nd + 7^th
Fourths: Root + 4^th + 5^th and Root + 4^th + 3^rd
Seconds: Root + 2^nd + 5^th and Root + 2^nd + 3^rd
Sixths: Root + 6^th + 5^th and Root + 6^th + 3^rd

Hijaz Family - 110011
Dominant note is usually the 4^th note. The tonic is often also the beginning note.

Makam: